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D. MAHON, ‘Guercino as Portraitist and his Pope              Repeating Compositions’, artibus et historiae, no. 39
Gregory XV’, Apollo, 113, 1981, p. 234-235.                  (1999), p.38
D. MAHON, ‘A New Book on Reni’, review, The                  P. DELLA PERGOLA, ‘L’inventorio Borghese del
Burlington Magazine, 128, 1986, p. 216.                      1693’, Arte Antica e Moderna, 1964, n. 26.
C. C. MALVASIA, La Felsina Pittrice, Bologna 1678, 		        D. POSNER, Annibale Carracci, 1971, no. 16A.
G. Zanotti (ed.) Bologna, 1841, II, p. 47.                   C. K. PULLAPILLY, Cesare Baronio, Notre dame,
C. C. MALVASIA, The Life of Guido Reni, Edited               Indiana, 1975, Ch. 7, pp. 107-116.
by Catherine Enggass and Robert Enggass, 1980,               J. C. ROBINSON, Descriptive Catalogue… of John
Pennsylvania University Press.                               Malcolm, London, 1876, p. 96.
J. MANILI, Villa Borghese fuori di Porta pinciana descritta  J. RUSKIN, Works, 7. 302.
da Giacomo Manili, Rome, 1650, p.110: ‘L’altro d’un          F. SOLINAS, Caravaggio nel IV Centennario della Cappella
Ballo di villa è di Guido Reni.’                             Contarini, 2002, p.244.
G.B. MARINO, La Galleria,Venice, 1619, Malvasia,             R. SPEAR, The Burlington Magazine CXXXI, 1989,
1841, II, 10.                                                p.371, no.12.
P. MATTHIESEN AND S. PEPPER, ‘Guido Reni: an                 R. SPEAR, The ‘Divine’ Guido: Religion, Sex, Money and
Early Masterpiece Discovered in Liguria’, Appollo,           Art in theWorld of Guido Reni,Yale University Press,
XCI, 1970, pp. 452-62.                                       New Haven and London, 1997, 330, note 89.
THE MATTHIESEN GALLERY, Around 1610:The Onset                S.RUDOLPH,‘Il Bacco e l’Arianna di Guido Reni a Villa
of the Baroque, 1985, no.1.                                  Albani’, Arte Illustrata, vol.VII, no. 57, Marzo 1974, p.40
THE MATTHIESEN GALLERY, Fifty Paintings: A                   A. STIX AND A. SPITZMULLER, Beschriebender
Catalogue commemorating 10 years of Collaboration,           Katalog der Handzeichnungen…. Albertina,V.1.,Vienna,
London, and NewYork, 1993, pp. 44-51, col. pl.               1941, no. 104.
THE MATTHIESEN GALLERY, 2001: an Art Odyssey                 N.TURNER, review of the exh. ‘Around 1610: the
1500-1720, pp. 21-29, pp.156-167, ill. p.157.                Onset of the Baroque’, The Burlington Magazine, 127,
R. MORSELLI and A. Cera Sones, Quadrerie nella               1985, p. 548.
Bologna del Seicento 1640-1707, vol. III, Los Angeles        I. UGUGERI-AZZOLINI, Le pompe Sanesi, Pistoia, II,
Getty 	 Information Institute, 1998.                         1649, XXXIII, p. 370.
S. PEPPER, ‘Guido Reni’s Roman account book’, 		             C.WHITFIELD, ‘The Landscapes of Agostino Carracci:
The Burlington Magazine, 113, 1971, p.316, no. 5.            reflexions on his role in the Carracci School’, Actes du
S. PEPPER, Christ at the Column, 1984, no.16                 Colloque de Rome, 2-4 October 1986, pp. 79-80.
S. PEPPER, Guido Reni, Oxford and NewYork, 1984,             C.WHITFIELD, The Genius of Rome: 1592-1623,
nos. 82, 101, 128, 128A and 129.                             B.L.Brown (ed.), exh. Cat.The Royal Academy of Arts,
S. PEPPER, Guido Reni, L’Opera Completa, Milan, 1988,        London, 2001, p.163.
No. 8, p. 328, pl. 6.                                        F. ZERI, La Galleria Pallavincini, Rome, 1959, p. 205, no.
D. STEPHEN PEPPER, ‘Guido Reni’s Practice of                 356.

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