Page 37 - Revolution Republique Empire Restauration
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Fig. 1                                                      Franco-Italian relations, this work should also be con-
                                                            sidered as a portrait of contemporary history.
trade. His portrait of the diplomat and his young fam-
ily intimately set in an interior of their Florentine       After the execution of Louis XVI on 21 January 1793,
palazzo is also an example of a conversation piece, a       England declared the French government ‘outlawed’
French hybrid of a group portrait and a genre scene.        and along with the other European nations refused to
However, given its date of 1797, a critical year in         recognise the Republic. Initially defeated, the revolu-
                                                            tionary armies eventually succeeded in halting the
                                                            advance of the coalition forces of Austria and Prussia,
                                                            and invaded Belgium and Italy. For a long time the
                                                            outcome on both fronts remained up in the air, until
                                                            the arrival of a young general, a certain Napoleon
                                                            Bonaparte, who, in launching his Italian campaign,
                                                            was soon victorious in flying the French flag. In 1795,
                                                            realising that his state was in peril, the Grand Duke of
                                                            Tuscany, Ferdinand III, son of the Austrian Emperor,
                                                            finally officially recognised the Republic and Tuscany
                                                            was declared neutral. The establishment of a legation
                                                            in Florence, the only one on the Italian peninsula, at
                                                            the Palazzo Ximenes (now the Palazzo della
                                                            Meridiana, near the Palzzo Pitti) marked a decisive
                                                            stage in Ferdinand’s struggles to save his throne.

                                                            It was in the context of these events that André-
                                                            François Miot (Versailles, 1762 - Paris, 1841) was
                                                            appointed to the strategic post of Foreign Affairs
                                                            Commissioner, a title, which under the Directoire was
                                                            equivalent in rank to that of Foreign Minister.18 In his
                                                            Memoires, the future Count Miot de Melito, confides
                                                            that the ‘the strangest rumours had preceded his
                                                            arrival in Florence.They expected to see a kind of sav-
                                                            age, outlandishly dressed, with the coarsest of tongues

18. The ministeries had been suppressed by 1794 and in their place substituted by twelve commissions. The Ministry for Foreign Affairs had been the
twelfth and Miot had been confirmed as Commissioner on November 8th 1794.
19. See A.-Fr. Miot de Melito, Mémoires du comte Miot de Melito, ancien ministre, ambassadeur, conseiller d’Etat et membre de l’Institut, Paris, M. Lévy frères, 1858,
3 vol. (published by General Fleischmann, the son-in-law of the author), p. 80. See also the file on Miot de Melito’s military career in the Château de
Vincennes (2YG – 1048 and YA- 30); his file in the Archives Nationales (L.H / 1886/ 32); and his correspondence preserved in the archives of the
Ministry for Foreign Affairs, La Courneuve (146 (bis) = microfilm P 07365 ; 147 and 147 (bis) = microfilm P 07364.
20. On this subject see P. Arizzoli-Clémentel ‘Les révolutions du costume‘ in Aux Armes et Aux Arts, Paris, Paris, 1989, pp. 302-311.

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